Piercework
by Teja Sudhakar
after Spandita Malik’s Vadhu: The Embroidered Bride
I was young—
you can see it
in my face.
My nose, my lips
slung down with
gold. I clutched
my blood earned
money close to
my stomach.
For the wedding,
they said,
keep your face
covered, your
hair, wear
red to remind him
what’s inside you.
I had never been
touched before.
I remember oiling
the broken lines
between my fingers,
dragging vermillion
along my scalp.
The thing about
piercework:
the needle goes
through, arrives back
the same color, still
in one piece.
Some wounds
are small enough
holes in the fabric
never show.
When I told my family,
they didn’t
believe me. Said maybe
I had not knelt hard
enough, had not ashed
my forehead. I walked
to the shelter one night
in the rain. There,
all day, I stitched:
if my new life
wouldn’t start, all I could
do was re-pierce the past.
I looped the tiny peonies
outside my parents’
house. I pierced them
all through him, head
to toe, framed
in gold leaves.
As mercy,
I left one eye
uncovered, a stem
hovering over it.
So he can still see me
when I leave this place.
So he can see me
with my face clear,
woundless, wearing
anything but red.Discussion about this post
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Richly described, poignantly pierced my heart, and the sense of freedom that I cannot help but root for--- I must believe in.
Thank you for this one.