More than whispers, less than rumors by Bob Hicok
When will water open its mouth and tell us how to be clouds
More than whispers, less than rumors
The river is high. I'd love to smoke pot with the river. I'd love it if rain sat at my table and told me what it's like to lick Edith Piaf's grave. I go along thinking I'm separate from trash day and the weird hairdo my cat wakes up with but I am of the avalanche as much as I am its tambourine. The river is crashing against my sleep like it took applause apart and put it back together as a riot of wet mouths adoring my ears, is over my head when it explains string theory and affection to me, when it tells me to be the code breaker, not the code. What does that mean? Why does lyric poetry exist? When will water open its mouth and tell us how to be clouds, how to rise and morph and die and flourish and be reborn all at the same time, all without caring if we have food in our teeth or teeth in our eyes or hair in our soup or a piano in our pockets, just play the damned tune. The river is bipolar but has flushed its meds, I'm dead but someone has to finish all the cheese in the fridge, we're a failed species if suction cups are important, if intelligence isn't graded on a curve, but if desperation counts, if thunderstorms are the noise in our heads given a hall pass and rivers swell because orchestras aren't always there when we need them, well then, I still don't know a thing.
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Copyright © 2019 by Bob Hicok. Originally published in Poem-a-Day on July 11, 2019, by the Academy of American Poets
beyond beyond
I love this! The idea of the rain licking Edit Piaf's grave and telling the poet how it felt... and all of it!!!
I also have a question - was this poem written with blank line spaces after each line? I notice how Substack/the internet will double space my poems unless I paste them in text format, and I see that spacing happening in other poems, and am curious as to whether it's deliberate or not.