The Southern Porches of Our Youth by Leslie Williams
One reason for the imagination is worship, to conjure into being the beings not here.
The Southern Porches of Our Youth
by Leslie Williams 1
Romare Bearden, Tomorrow I May Be Far Away The word collage comes from the French coller, to glue. Sticking together is what we do, exiles assembling ourselves in different cities, pasting the private history of me into the broad story of you: migration North from dirt yard & wash tub, always the need for bare feet on packed earth, aching to go forth from rural South, though impossible once and for all to leave it, high seat of the imagination, knowing what hands remain in the window, the moon-shaped nails, a face with one eye looming, the other turning inward. One reason for the imagination is worship, to conjure into being the beings not here. Your art is ruthless, Romare. May I call you that? You’ve rendered us so perfectly, dreamers waiting on money for ghost railroads, for rooms in tenements to open, for traveling clothes and a decent pair of shoes. To be old enough or brave. To escape with the scraps we have. To save the blue shirt evidence of sunlight, net of crow & fence. One foot out and one foot in, pieces stuck in competing patterns: a far-seeing, forlorn hint of sky- scraper making the shape of your nose. Slipping on its echoes. God! It’s all that waiting. If we could put on the blackbird wing’s red epaulets, we’d fly away and be at rest from all the longing that lets light dapple us. The woman reaching through the window is always trying to hold us, trying to hold us back.
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https://www.nga.gov/artworks/119052-tomorrow-i-may-be-far-away